Netflix’s ‘Dead End’ Is the Kind of Trans Representation We’ve Been Waiting For

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Something extraordinary happens in the premiere of Netflix’s newest animated series, Dead End: Paranormal Park. Toward the episode’s end, our hero Barney (Zach Barack) walks through a hall of mirrors. He then stops, looks at his reflection, tussles his hair, and smiles.

This moment is brief and may sound superficial. But it’s loaded with meaning: There’s a trope of transgender characters looking longingly into mirrors, upset with what they see, and longing to be someone else. But Barney, who’s a teenage transgender man, feels the exact opposite. With just one quick smile, Dead End repudiates stereotypical representations of gender dysphoria. Instead, in front of that mirror, Barney feels pure euphoria. Like all of Dead End itself, this moment shows a coming-of-age trans person confidently loving who he is—a conceit that is as simple as it is radical.

Based on Hamish Steele’s graphic novel series DeadEndia, Dead End is an exquisite supernatural romp. The show follows Barney, co-worker/bestie Norma (Kody Kavitha), and Barney’s dog Pugsley (Alex Brightman) who are spending their summer working at a haunted theme park themed around actress Pauline Phoenix (Clinton Leupp, better known as Coco Peru). At the park lives Courtney (Emily Osment), the lovable one-thousand-year-old demon, who’s desperately trying to leave the human world behind for the demon realm. Demonic happenings and hauntings are commonplace here–it’s why Pugsley, Barney’s dog, can talk as he’s been partly infused with demon overlord Temeluchus’ spirit.

Read more at The Daily Beast.